Reflective of Iranian history and tradition that incorporated many religions and cultures into its realms, the interaction of cultures and exchange of ideas enabled a vibrant cultural and artistic heritage from which Farah Ossouli draws inspiration for her works.
Ossouli pioneered the introduction of contemporary themes and ideas into miniature painting. Her modern take on Persian miniatures resembles highly decorated minarets with their geometric and calligraphic designs that tell countless stories. However, her most significant influence is from Iranian poems, which for her is as enduring as human nature. In her works, she portrays stories of love, violence, friendship, and family; themes that are as timeless as in the times of Persian miniature.
The current lot titled, ‘Waiting’ shows Farah’s thin and precise brushwork in an unbelievably detailed idiom. The woman, portrayed in bright and vibrant colors, is shown through a cutaway with exterior views visible in the facade. Lighting throughout the picture is even while the whole work is divested of shadows. The picture is in a vertical format that is reminiscent of Persian miniatures influenced by Chinese scrolls in the 14th century.
In typical miniatures, there are often panels of text inside the picture area enclosed in a frame. Ossouli replaces the spaces for text with a broader band of color that borders the image, manipulating both the picture area and the scale of the figure. The rest of the work is in dense and detailed design; particularly the background which was achieved through extremely delicate and controlled brushwork, as evident in the details of the plants, the birds and the patterns on the clothes.
Replete in symbolism in a modern retelling of stories, Farah appropriates the language of miniature painting into her work turning it into a contemporary idiom that is both timeless and teeming with history.