Drawing inspiration from ancient histories, early Byzantine art, medieval tapestries, and mythology Timur D’Vatz produces dreamlike creations featuring the timeless metaphor of hunting.
He used the motifs of dogs and falconers to emphasize the ancient theme of a hunt. Here, he depicts the figure of a hunter with the pointed hat of a magician or shaman ready for the sacred ritual. The gold-colored hunting robes emphasize the idea of the ceremony while the birds of prey perched on the arm and the dog posed with overarching necks give a sense of movement. The concept, widely held among hunting people and often found in prehistoric art referred to them as the master of the animals.
Early Russian icons influence the elongated forms of the figures as seen here. The use of golden colors reflects the traditional gold ornamentation of Uzbekistan. D’Vatz masterfully merges the ancient culture and traditions of Central Asia to create a powerfully iconic image.